Production audiovisuelle à Lausanne | Films, communication & motion design
Imagina Digital Films Motion Corporate Ads Studio

About Us

Since 2007, we’ve been building bridges between cinema and communication.

To us, the line between the two is fluid. We approach audiovisual production the way we tell stories: with sincerity, and always with the desire to move people.

Alexis Mouthon
Arnaud Gantenbein
Aurélien Malagoli
David Sarlin
Pascal Forney
Pascal Millet Rivero
Pauline Joanneton
Sébastien Musy
Ugo Carpaneto
Account management
Production
Motion design
Social media
Film Direction
Editing and post-production
Exports and Localization
Human resources (HR), Admin
Production Assistant & Sound Engineering
With a sharp wit and a bright laugh, Alexis is the glue that holds everything together. He orchestrates, prioritizes and navigates the unexpected with cool head. It's thanks to him the creative spark doesn't get lost in technical hurdles or distribution constraints — though we cannot promise that it doesn't getting a bit side tracked by his musical re-enactments.
Arnaud drives projects with logic, empathy and a clear understanding of what truly brings value to projects at hand. He insures that the production stays true to the original vision — all while keeping budgets and deadlines on track with a smile, a wink and a few well-timed coffees.
Aurélien is a masterful poet of motion. Far from waxing lyrical, his sharp, elegant animations quickly turn complex messages into clear engaging stories with heart and intrigue, making his work perfect for all kinds of content, from digital to interactive — but especially anything with a funky disco beat.
David thinks in terms of distribution, how to grab attention in less than 5 seconds, and hold onto in until the very end. He adapts content for each platform — without ever compromising the creative intent. This is particularly true if the creative content is a fluffy dog called "Zimbrak."
With a sharp eye, a love of food, and a firm grasp on storytelling, Pascal seeks the truth in each shot (and good food in his belly). He easily understands the big picture, developing the coherence of the narrative and guiding every project with purpose, without ever overshadowing the subject.
This is where the images find their rhythm. Pascal assembles, trims, lets the story breathe. His sense of timing turns raw footage into narrative flow. We call him Captain’Cut. We love him — and he loves us right back.
Pauline gives the ultimate digital nomad experience for all of our work. She ensures that every piece can travel with out losing a thing (which is more than most of us can say). From subtitling to cultural localizations she adapts, fine-tunes, and stays true to the original spirit with a precision that would make most travel companies jealous.
Sébastien prefers to stay in the shadows (preferably under an umbrella, with a cold beer, sheltering from Barcelona's heat), but is arguably the one who deserves the most credit for keeping the lights on — HR, admin and payments — he's the quiet force behind the scenes keeping food on our table and light in our eyes.
A jack-of-all-trades Ugo ensures that every shoot runs smoothly. He coordinates logistics, schedules, and teams with precision. He's also trained in sound engineering, and he brings his technical expertise to our productions, elevating our audio quality to the sublime. He's organized, meticulous and always attentive, just like a sous chef putting the finishing touches on a cucumber salad.

Communication

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Film at the service of the brand
Every industry has its codes, constraints and challenges. It's our job to fully understand these and work with them to create enjoyable content.
Every industry has its codes, constraints and challenges. It's our job to fully understand these and work with them to create enjoyable content.

We aren’t just a production company, but a production company with a vision, one that pushes to have every detail, idea and story to move people to do better.

This kind of vision leads to bold visuals, purposeful direction, and videos that actually say something — and moves us all to do better. Our team brings together complementary talents: directors, producers, creatives, and technicians, who all work together to push our work further. We’re based in Le Flon, the creative heart of Lausanne, just 50 minutes from Geneva — a buzzing neighborhood from which we reach clients all over.


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Latest Work
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for Bold Brands

Our clients

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They Trust us

Latest Cinema films

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Crafting Stories for the Big Screen

At Imaginastudio, cinema is a calling. It’s where it all began.

At Imaginastudio, cinema is a calling. It’s where it all began.

We choose our projects carefully — the ones that challenge, that offer a bold, singular, and necessary perspective. Our role? To create the conditions for those films to exist. To support directors, structure their process, and protect their creative momentum.

Behind every great film lies deep groundwork: funding, casting, shooting, distribution. That’s what we do — with precision and passion. Because a film can still break a stereotype, spark a debate, stir deep emotion. Because cinema remains one of the few art forms that can reach everyone — across generations and social boundaries.

To us, that’s the true essence of audiovisual production: bringing ideas to life, giving voice to unique perspectives, and moving audiences.

Our Latest Film Projects
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Cinema

Nos engagements

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Positive
Impact

Behind every film, there’s a chance to do better.

We believe that today, no company can exist without a sense of responsibility. And that every film holds the potential to push things forward.

At Imaginastudio, we don’t just produce audiovisual content — we strive to have a positive impact on society. For us, to produce is also to pass things on. That’s why we prioritize local partners, share knowledge, and help train the next generation of talent.

Our company embraces sustainable practices: eco-conscious shoots, inclusive working conditions, and awareness of social issues. Every project is an opportunity to create meaning.